Dr. Masumi Hayashi (1945-2006) - Curriculum Vitae

I. Collections

Public

Los Angeles County Museum of Art, Los Angeles, California
Victoria and Albert Art Museum, London, England
Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Princeton Art Museum, Princeton, New Jersey.
George Eastman House, Rochester, New York.
Akron Art Museum, Akron, Ohio.
Santa Barbara Museum of Art, Santa Barbara, California
Columbus Museum of Art, Columbus, Ohio
Museum of Contemporary Art Cleveland, Cleveland, Ohio
Mint Museum of Art, Charlotte, North Carolina
Japanese American National Museum, Los Angeles, California
St. Petersburg Museum of Fine Arts, St. Petersburg, Florida.
Southeast Museum of Photography, Daytona Beach, Florida
Cleveland State University, Cleveland, Ohio
Case Western Reserve University, Cleveland, Ohio
Loyola Marymount College,
Sheridan College, Oakville, Ontario, Canada
University of Texas at Austin, Austin, Texas

Corporate Collections

Oracle Corporation, Redwood City, California
The Cleveland Clinic, Cleveland, Ohio
University Hospitals, Cleveland, Ohio
Progressive Corporation, Cleveland, Ohio
Aaron Spelling Entertainment Company, Los Angeles, California
Creative Casting Association, Los Angeles, California
Fidelity Investments, Cincinnati and Cleveland, Ohio
Fidelity Investments, Boston, Massachusetts
Fidelity Investments, Los Angeles, California
Bank of Montreal, Los Angeles, California
U.S. Trust of N. Y., New York, New York
Cleveland Foundation, Cleveland, Ohio
British Petroleum of America, Cleveland, Ohio
Key Corporation, Portland, Oregon
Southern California Gas Company, Los Angeles, California
Latham & Watkins Corporation, Los Angeles, California
Thomas, Hine, and Flory, Cleveland, Ohio
Toulose and Belloitte, PPG Building, Pittsburgh, Pennsylvania
Moen Corporation, Cleveland, Ohio
Jones Day Corporation, Cleveland, Ohio

Corporate Commissions

Scripts Howard Corporation, Cincinnati, Ohio (1989)
CitiCorp, Philadelphia, Pennsylvania (1989)
McCann Erickson, New York, New York (1988)
Metro General Hospital, Cleveland, Ohio (1991)
University Hospitals, Cleveland, Ohio (1992)
The Plain Dealer, Cleveland, Ohio (1994)
Jacobs Corporation, Cleveland, Ohio (1994)
Ohio State Employee Retirement System, Columbus, Ohio (1994)
School Employees Retirement System of Ohio, Columbus, Ohio (1994)

Private

Stephen White, Los Angeles, California
Michael Greigzer, Beverly Hills, California
Ron Myer, Los Angeles, California
Peter Galvin, Cleveland, Ohio
Greg Klima, Cleveland, Ohio
Jonathan Buchter, Cleveland, Ohio
Aaron Spelling, Los Angeles, California
Jan De Bont, Los Angeles, California
Stephan Landsman, Chicago, Illinois
Steven Miller, Cleveland, Ohio
Ronald A. Pizzuti, Columbus, Ohio
John and Cathe Kolbacker, Columbus, Ohio
Russ, Leland, Los Angeles, California
Geoffrey Gund, New York, New York

II. Teaching Experience

1982 - 2006 (24 years), Professor, tenured (Photography and 2-D art), Cleveland State University, Cleveland, Ohio

III. Education

2006, Doctorate of Fine Arts (Posthumous), Cleveland State University, Cleveland, Ohio,
1977, MFA, Florida State University, Tallahassee, Florida, Visual Arts (Photography) (major professor Robert Fichter)
1975, BFA, Florida State University, Tallahassee, Florida, Visual Arts (Photography)

Continuing Education in Computer Graphics and Photography

2005, Digital Photography Workshop, Los Angeles Art Center, Pasadena, CA, (14 week workshop)
2005, Photographic Creative Concepts, UCLA Extension, Los Angeles, CA, (6 week workshop)
1985, Post College Certificate with honors, Sheridan College, Oakville, Ontario, Canada, (Computer Graphics)

III. Awards, Grants and Fellowships

2007, Governor's Awards for the Arts in Ohio (Posthumous), Ohio Arts Council, Columbus, Ohio
2006, Doctorate of Fine Arts (Posthumous), Cleveland State University
2005, Associate Fellow, Asian Studies Department, UCLA, Fall 2005, Los Angeles, California
2003, "Senior Fullbright Research Fellow", Center for International Services and Programs, Cleveland State University, Cleveland, Ohio. Art Research in India and Nepal
2002, "Artist Fellowship in Photography", Ohio Arts Council, Columbus, Ohio
1999, "Travel Artist Fellowship", Ohio Arts Council, Columbus, Ohio. Fellowship support for travel and creative research in India.
1997, Research Fellowship, Civil Liberties Education Fund,Washington D.C., Project research grant on Japanese American Internment Camps
1997, "EFFRD" Grant, Cleveland State University, CSU faculty research grant.
1996, "Artist Fellowship in Photography", Ohio Arts Council, Columbus, Ohio, July 1996-June 1997
1995, "Artist Project Grant", Ohio Arts Council, Columbus, Ohio, July 1, 1995 to June 30, 1996.
1994, "Cleveland Visual Arts Award", Cleveland City Women's Club, Cleveland, Ohio
1991-1992, "Distinguished Scholar Award", Cleveland State University, College of Arts and Sciences, Cleveland, Ohio
1989, "National Endowment for the Arts Regional Photography Fellowship", Arts Midwest, Minneapolis, Minnesota (Catalog)
1989, "Professional Development Grant", Ohio Arts Council, Columbus, Ohio
1989, "Artist in Residence", Marin Headlands Center for the Arts, Sausalito, California
1989, "National Endowment for the Arts Regional Fellowship", Arts Midwest, Minneapolis, Minnesota
1988, "Ohio Artist Fellowship" (grant), Ohio Arts Council, Columbus, Ohio
1987, First Place Award for Photography, Cleveland Museum of Art, "May Show", Cleveland, Ohio
1985, "Artist in Residence" (grant), John Michael Kohler Art Center, Sheboygan, Wisconsin
1983, "Research and Creative Activities" (grant), Cleveland State University, Cleveland, Ohio
1983, "Product Grant (grant), Nimslo 3-d Corporation, Atlanta, Georgia
1980, "Florida Individual Artist Fellowship - Photography", Florida Arts Council, Tallahassee, Florida

IV. Exhibitions

Posthumous (Group):

2012, Two Views, Curated by Bryce Kanbarra, Japanese Canadian Cultural Center, Toronto, Ontario, Canada. Exhibition with Ansel Adams and Leonard Frank.
2011, "Hiding Places: Memory in the Arts", Curated by Amy Chaloupka, John Michael Kohler Arts Center, Sheboygan, Michigan. (Catalog, Website)
2011, "The Life and Death of Buildings", Curated by Joel Smith, Princeton University Art Museum, Princeton, New Jersey. Part of Princeton's cultural series, "Memory and the Work of Art" through 2011. (Catalog, website, promotional materials).
2010, "Land Marks", Curated by Anne Bohlen, Herndon Gallery, Antioch College, Yellow Springs, Ohio. Inaugural art exhibit for re-opening of Antioch College.

Posthumous (Solo):

2007, "Masumi Hayashi, Meditations: Two Pilgrimages", Curated by Barbara Tannenbaum, Akron Art Museum, Akron, Ohio
2007, "Masumi Hayashi, Meditations: Remembering Injustice", Curated by Megan Lykins Reich, Museum of Contemporary Art (MOCA), Cleveland, Ohio
2007, "Masumi Hayashi, Meditations: The Memorial Exhibition", Curated by Michael Gentile, Cleveland State University Gallery, Cleveland, Ohio
2007, "A Tribute To Masumi Hayashi: Student Works", Curated by Michael Gentile, Cleveland State University Gallery, Cleveland, Ohio.
2007, "Masumi Hayashi, Meditations: Heartland", Curated by Susan R. Channing, Spaces Gallery, Cleveland, Ohio
2006, "Panopticon: Photo Collages of Prison and War Sites", Hiram College, Hiram, Ohio

Solo Exhibitions

2006, "History and Memory: Landscapes of Internment", Ganser Gallery, Millersville University, Millersville, Pennsylvania
2004, "History and Memory", Curated by Marian Hollinger, Art Gallery, Fairmount State College of Art, Fairmount, West Virginia.
2003, "Sights Unseen, the Photographic Constructions of Masumi Hayashi", Curated by Karen Higa, Japanese-American National Museum, Los Angeles, California
Catalogue: Sights Unseen, the Photographic Constructions of Masumi Hayashi
2003, "The Sacred and the Sublime: Photo Collages of Angkor Wat and India", Curated by Eiko Fukuhara, White Room Gallery, West Hollywood, California
2003, "India Temples: Masumi Hayashi Photographs", Curated by Tom Hinson, Curator of Photography, Cleveland Museum of Art , Cleveland, Ohio
2001, "Hidden Places, Silent Spaces, Japanese American and Japanese Canadian Relocation Camps", Curated by June Shuman, Oregon Nikkei Legacy Center, Portland, Oregon
2000, "History and Memory: the Japanese American Internment Camps", Curated by Jerry Robinson, University Gallery, Millersville University, Lancaster, Pennsylvania
1998, "American Concentration Camps", Whipple Art Center, Las Vegas, Nevada
1997, "CityWorks", Curated by Helen Leggitt and David Perry, Bonfoey Gallery, Cleveland, Ohio
1993, "Post Industrial Panoramic Landscapes", Curated by Alison Nordstrom, Florida State University Art Gallery, Tallahassee, Florida
1993, "U.S. Concentration Camps", Japanese American Citizens League, Tri-District Conference exhibit, Dorothy Fuldheim Room, Sheraton Hotel, Cleveland, Ohio.
1992, "EPA Superfund Sites", Curated by Barbara Tannenbaum and Wendy Kendall Hess, Akron Art Museum, Akron, Ohio
1990, "Ohio Steel Mills: A Post Industrial Perspective", Butler Institute of American Art, Youngstown, Ohio
1990, "Industrial Panoramic Landscapes", Curated by Sheri Collins, John Michael Koehler Art Center, Sheboygan, Wisconsin
1990, "Panoramic Photo Collages", Curated by Stephen White, Andrea Ross Gallery, Santa Monica, California
1988, "Post Industrial Panoramic Landscapes: A Portrait of Cleveland", Cleveland Center for Contemporary Art, Cleveland, Ohio
1985, "Masumi Hayashi", Art Gallery, Edinburgh College of Art, Lauriston Place, Edinburgh, Scotland - exhibit of panoramic photo-collage utilizing Hayashi's 3-D, lenticular photography media, traveling to Dundee and Glasgow
1983, "Polychrome Illusions", Project Art Center, Cambridge, Massachusetts
1983, "Masumi Hayashi", CameraCases Gallery, University of Arkansas, Fayetteville, Arkansas
1982, "Mindscape Series", Art Department, University of Kansas, Lawrence, Kansas

Selected Group Exhibitions

2005, "NEO" Show, Juried, Cleveland Museum of Art, Cleveland, Ohio
2005, "Art of Transportation", Art Gallery, Biola University, La Miranda, California
2004, "Contemporary Photographs of the Museum Collection", Curated by Peter Bunnell, Princeton University Art Museum, Princeton, New Jersey
2004, "Terrestrial Forces", Curated by Allys Palladino-Craig, Florida State University Museum of Fine Arts, Tallahassee, Florida (Catalogue)
2004, "Revelation, a Fresh Look at Contemporary Collections", Mint Museum of Art, Charlotte North Carolina
2003, "Only Skin Deep", Curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, New York and Seattle Museum of Art, Seattle, Washington. (book and website)
2003, "The Circle of Bliss: Buddhist Meditational Art", Curated by John Huntington, guest curator, Los Angeles County Museum of Art, Los Angeles, California and Columbus Museum of Art, Columbus, Ohio
2002, "Collections, Ohio Artists Abroad", Curated by Susan Channing, Riffe Gallery, Columbus, Ohio, and Spaces Gallery, Cleveland, Ohio, (Catalogue)
2002, "Cultural Identity", Curated by Dr. Beate Reifenscheidt, Director, Ludwig Museum, Koblenz, Germany
2001, "Biennale Internatzionale Dell'arte Comtemporanea", organized by Arte Studio, Florence, Italy
1997-2001, "Landscape / Land Use", Curated by Roger Rawley and Joan Lyons, Visual Studies Workshop Gallery, Rochester, New York, 3 year tour
2000-2001, "Paper Routes 2000", Juried, Curated by Sara Johnson, Director, Southern Ohio Museum, Portsmouth, Ohio, College of Wooster Art Museum, Wooster, Ohio, and Riffe Gallery, Columbus, Ohio
1999-2000, "Common Ground: Contemporary Landscapes from Israel and Ohio", Curated by David Johnson, Taft Museum of Art, and Nella Cassouto, Artist Space Gallery. This Ohio Arts Council exchange exhibit showed at Riffe Gallery, Columbus, Ohio, and Artist Space Gallery, Jerusalem, Israel. (Catalogue)
1999-2001, "Revisioning Manzanar", curated by Karen Higa, Japanese American National Museum, Los Angeles, California
1999, "Cleveland to Bratislava", Curated by Robert Thurmer, Municipal Gallery and Gallery Z, Bratislava, Slovakia, exchange show CSU and Bratislava
1999, "Silent Voices", Curated by Julie Farenback, Spaces Art Gallery, Cleveland, Ohio. Artwork focusing on international human rights violations.
1998, "Picturing Manzanar", Curated by Julia Brashares, Friends of Photography, Ansel Adams Center, San Francisco, California
1996, "Gender: Beyond Memory", Curated by Michiko Kasahara, Tokyo Metropolitan Museum of Photography, Tokyo, Japan. (Catalogue)
1996, "Transition/Displacements", Curated by Marjorie Tallalay and Jeffrey Grove, Cleveland Center for Contemporary Art, Cleveland, Ohio. (Catalogue).
1996, "Grids", Curated by Carol Eliel and Lynn Zelebanksky, Los Angeles County Museum of Art, Los Angeles, California
1996, "Recent Work by Fourteen Ohio Photographers", Curated by Catherine Evans, Columbus Museum of Art, Columbus, Ohio
1995, "Assembled Works: Selected Photographs from the Permanent Collection", Curated by Tim B. Wride, Los Angeles County Art Museum, Los Angeles, California
1995-1997, "War Works: Women, Photography, and the Art of War", Curated by Anna Fox, Victoria and Albert Museum. This exhibit, based on the book War Works, by Val Williams, included curated works dealing with war from 10 women photographers. Organized by the Arts Council of Great Britain, National Touring Exhibitions Department, the War Works exhibit toured in the UK and Europe from 1995-1997. (Book/Catalog)
1995, "Fragile Landscape", Curated by Derek Johnson, Center for photography at Woodstock, Woodstock, New York. (Catalogue)
1994, "Global Environment", Curated by Diane Barber, Houston Foto Fest, Houston, Texas. Art from 20 artists dealing with issues of landscape and the environment. (Catalog)
1994, "A Sense of Place", Curated by Sarah J. Rogers, Director of Exhibitions, Wexner Center for the Arts, Yuji Maeyama, and Yukito Tanaka of Museum of Modern Art.
This exchange exhibit between the Wexner Center for the Arts, in Columbus, Ohio and the Museum of Modern Art, Saitama, Urawashi, Japan, was sponsored by the Ohio Arts Council. (Catalog)
1994, "Old Glory: The American Flag in Contemporary Art", Curated by David Rubin, Cleveland Center for Contemporary Art, Cleveland, Ohio. Traveling exhibit in America including Phoenix Art Museum. (Catalog)
1994, "Nervous Landscapes", Curated by Alison Nordstrom, South West Museum of Photography, Daytona Beach, Florida. Artists John Divola, Masumi Hayashi, and Dean Chamberlin. (Catalog)
1993, "Beyond the Walls: Eastern State Penitentiary", Curated by Milton Marks, Art Gallery, Moore College of Art and Design, Philadelphia, Pennsylvania. (Prison Calendar)
1993, "About Nature", Curated by David Rubin, Cleveland Center for Contemporary Art, Cleveland, Ohio. (Catalog)
1992, "Human/Nature: Changing Land", Curated by Kitty McManus Zurko, College of Wooster Art Museum, Wooster, Ohio.
1992, "Centered Margins: Contemporary Art of the Americas Toward a Post Colonial Culture", Curated by Jacqueline S. Nathan, Dorothy Uber Bryan Gallery, Bowling Green State University, Bowling Green, Ohio. (Catalogue)
1992, "The Country Between Us", Curated by Barbara Boswick and Laura McFee, Massachusetts College of Art, Boston, Massachusetts. Exhibition of women landscape photographers (catalogue)
1991, "Northeast Ohio Selections", Curated by Tom Hinson, Cleveland Museum of Art, Cleveland, Ohio. (Catalog)
1991, "Another Side of Progress", Curated by Mark Leach, Light Factory, Charlotte North Carolina, and Southeast Center for Contemporary Art , Winston-Salem, North Carolina. (Catalogue)
1991, "Tainted Prospects", Curated by John Pfahl, Buscaglia-Castellani Art Gallery, Niagra University, Niagra Falls, New York.
This traveling exhibition was organized by the Gallery Association of New York State. (Catalogue)
1991, "Exit the Freeway", Curated by Linda Evans, Security Pacific Gallery, San Francisco, California.
1991, "Cincinnati Collects, The Corporate View", Curated by Jack Sawyer, The Contemporary Arts Center, Cincinnati, Ohio. (Catalogue).
1990, "Sakura in Buckeye Country: Japanese Artists in Ohio", Lima Art Center, Lima, Ohio. (Catalogue)
1989, "Responses to the Urban and Industrial Landscape: Photography and Sculpture", Curated by Penny Rakoff and Fred Smith, Art Gallery, Kent State University, Kent, Ohio. (Catalogue)
1989, "State of the Art: New Work by Ten Artists in Ohio", Curated by Sarah Rogers Lafferty and Dennis Barrie, The Contemporary Arts Center, Cincinnati, Ohio. This collection also exhibited at the Vern Riffe Center for Government in the Arts, Columbus, Ohio, and the Cleveland Center for Contemporary Arts, Cleveland, Ohio. (Catalogue)
1988, "American Color", Art Gallery, University of New Mexico, Las Cruces, New Mexico.
1987, "Hall Walls and Spaces Gallery Exchange Show", Hall Walls, Buffalo, New York, and Spaces Gallery, Cleveland, Ohio. (Catalogue)
1987, "May Show", Cleveland Museum of Art, Cleveland, Ohio (First Place in Photography)
1986, "The Heartland of American Vision", Artlink Gallery, Wayne, Indiana
1986, "Political Statements", Sarrat Gallery, Vanderbilt University, Nashville, Tennessee. This exhibition was organized by the Southern Arts Federation and toured between 1986-1987. (Catalog)
1986, "Taking Liberties", New York Museum of Art, Albany, New York
1986, "The Heartland of American Vision", Artlink Gallery, Fort Wayne, Indiana (Award)
1986, "Images of the Universe: The Artists' Vision", The Brunnier Gallery and Museum, Iowa State University, Ames, Iowa
1985, "New Color Landscapes", The New Contemporary Gallery, Cleveland, Ohio
1985, "Detritus", Film in the Cities Art Gallery, St. Paul, Minnesota
1985, "Nude", University of Colorado, Denver, Colorado
1985, "Stereo Photography Exhibit", Gallery 44, Toronto, Ontario, Canada
1985, "State of the Art: New Work by Ten Artists in Ohio", The Contemporary Arts Center, Cincinnati, Ohio
1985, "Exhibition 280: Works on Walls", Huntington Museum of Art, Huntington, West Virginia (Award)
1985, "May Show", Cleveland Museum of Art, Cleveland, Ohio
1984, "Newspeak", BC Space Gallery, Laguna Beach, California
1984, "Gender Construction", Handwerter Gallery, Ithaca, New York
1984, "Electrostatics International", Ursiline College Art Gallery, Ursiline, Ohio
1984, "May Show", Cleveland Museum of Art, Cleveland, Ohio
1984, "Lights, Camera, Magic", California Museum of Photography, University of California at Riverside, Riverside, California
1983, "FOTO Vision '83", Foto Gallery, New York City, New York
1983, "Art at the Ritz", Hotel Ritz, Washington D.C., sponsored by Washington Project for the Arts
1983, "Rated X", Neikrug Photographics, New York City, New York
1983, "Collage and Assemblage", Mississippi Museum of Art, Jackson, Mississippi, Tampa Museum, Tampa, Florida, Alexandria Museum of Art, Alexandria, Louisiana, Hunter Museum of Art, Chattanooga, Tennessee, and Tucson Museum of Art, Tucson, Arizona
1983, "Three Photographers", Otis Arts Institute, Los Angeles, California
1983, "History of Stereo Photography", Boston, Massachusetts
1982, "Southeastern Graphics Invitational 1982: The Modified Print", Mint Museum of Art, Charlotte, North Carolina
1982, "Seeing Double: A Survey of Contemporary Stereographic Imagery", Visual Studies Workshop Gallery, Rochester, New York
1982, "Women's Art Miles Apart", Curated by June Blum June Blum Gallery, New York, New York. (Catalogue)
1982, "New Technology: New Images", Cuyahoga Community College Gallery, West Campus, Parma, Ohio
1982, "Collage and Assemblage", Mississippi Museum of Art, Jackson, Mississippi
1982, "Erotica", Camera Vision Gallery, Los Angeles, California
1981, "Emerging Photographers", Images Gallery, Cincinnati, Ohio
1981, "The Magic Silver Show", Clara M. Eagle Art Gallery, Murray State University, Murray, Kentucky. (Catalogue)
1981, "Southern Women Photographers", Art Gallery, University of Southern Mississippi, Hattiesburg, Mississippi. (Award and Catalogue)
1979, "Up Against the Wall", Catskill Center for Photography, Woodstock, New York

Exhibitions Curated by Masumi Hayashi

1988, "Free and Ordered Space: Photography Reconstructed", Curated by Masumi Hayashi, Trumbull Art Gallery, Warren, Ohio.

V. Publications

Books

2011, The Life and Death of Buildings: On Photography and Time, Joel Smith, Published by Princeton University Art Museum and Distributed by Yale University Press, Princeton, New Jersey, (Exhibition Catalog)
2011, Hiding Places: Memory in the Arts, "Shared Memory: Artists' Perspectives and Practices", Erika Doss, John Michael Kohler Arts Center, Sheboygan, Michigan, (Exhibition Catalog)
2011, Reading Photography: A Sourcebook of Critical Texts 1921-2000, Sri-Kartini Leet, Lund Humphrees Farnham, Surrey, UK
2010, Memorial Mania: Public Feeling In America, Erika Doss, The University of Chicago Press Chicago, Dedication to Masumi Hayashi
2005, Creative Essence : Cleveland's Sense of Place, Gibans, Nina Freedlander, The Kent State University Press, Kent, Ohio. This book discusses Dr. Hayashi's work and uses her work on the book cover.
2005, Writing the World on Globalization, Rothenberg, David and Pryor, Wandee, editors, A Terra Nova Book, MIT Press, Cambridge, Massachusetts. (Cover Image)
2004, Terrestrial Forces, , Museum Press, Florida State University Museum of Fine Arts, School of Visual Arts and Dance (Exhibition Catalog, pp. 22, 41-43)
2003, Only Skin Deep: Changing Visions of the American Self, Coco Fusco, Brian Wallis, editors, Henry N. Abrams, Inc., New York, and International Center of Photography, New York City, New York
2001, Art, Songs of Terror, Tales of Tule Lake, Shallit, Barney, edited by Art Hansen, Walter and Michi Nisiura, Weglyn, Multicultural Publication Series, California State University, Fullerton, California. (Cover Image)
2001, As Eve Said to the Serpent : Essays on Contemporary Landscape, Solnit, Rebecca, University of Georgia Press
2000, Only What We Could Carry: The Japanese American Internment Experience, Inada, Lawson, editor, Heyday Books, Berkeley, California, and California Historical Society, San Francisco, California.
1999, America's Concentration Camps During World War II : Social Science and the Japanese American Internment, Feeley, Francis McCollum, University of the South, New Orleans, La. (Cover Image)
1998, Digital Revolution Coleman, A.D., Nazraeli Press, California
1998, Photography 1900 to the Present Hulick, Diana, and Marshall, Joseph, Prentice Hall, New Jersey
1998, "Undertones: Ten Cultural Landscapes", Reframings: New American Feminist Photographies, Lippard, Lucy, Edited by Diane Neumayer, Philadelphia, Pennsylvania: Temple University Press
1997, The Lure of the Local, Lippard, Lucy, New Press Publishers, New York
1996, Legacy of Light : Photographs from the Collection of the Cleveland Museum of Art, Hinson, Tom, Cleveland Museum of Art, Cleveland, Ohio
1994, "Women, Photography and the Iconography of War." War Works, Williams, Val, Virago Press Ltd., London, England
1994, Global Environment, Exhibition Catalog for Houston Foto Fest exhibit "Global Environment", Curated by Diane Barber, Houston, Texas
1994, Old Glory: The American Flag in Contemporary Art, Catalog by David Rubin, Curator, Cleveland Center for Contemporary Art, Cleveland, Ohio
1994, Nervous Landscapes, Catalog by Allison Nordstrom, Curator, South West Museum of Photography, Daytona Beach, Florida
1994, "Re..Photo Construct", Catalog for photo exhibition curated by Masumi Hayashi, Cleveland State University Art Gallery, Cleveland, Ohio
1992, Exploring Color Photography, Robert Hirsch, Focal Press, Stoneham, Massachusetts
1991, The Invitational: Artists of Northeast Ohio, Tom Hinson, The Cleveland Museum of Art, Cleveland, Ohio
1989, Photographic Alternatives, Nancy Howell-Koehler, Davis Publications, Worcester, Massachusetts
1983, Encyclopedia of Photographic Artists and Innovators, Turner Brown and Elaine Partnow, MacMillan Publishing Company, New York City, New York
1979, Photo Images in Art: Design, Process and Materials, Nancy Howell-Koehler, Davis Publications, Worcester, Massachusetts

Art Journal Reviews

2012, "Gallery: Recollections", Architecture Boston, Fall 2012, Boston, Massachusetts, Quarterly Publication of the Boston Society of Architects
2011, A.D. Coleman, "Frames of Reference", Ag: The International Journal of Photographic Art and Practice, Edited by Chris Dickie, Winter 2011, East Molsey, Surrey, UK
2004, "Mine Okubo", Amerasia Journal, edited by Elena Tajima Creef, Summer 2004 issue, UCLA, Los Angeles, California.
2003, Debbie Hagan, "Panoramic Photography", Art Business News, NYC, NY, October, 2003 Issue.
2003, "Photo Collages of Masumi Hayashi", Photo Italia Magazine, Guilio Piovisan, September, 2003 issue, Milan, Italy
2003, "Indian Temples, Masumi Hayashi Photographs", The Cleveland Museum of Art Members Megazine, Tom Hinson, Summer 2003 issue, Cleveland, Ohio, pp. 8-9.
2003, "Coming up at the National Museum, Sights Unseen: The Photographic Constructions of Masumi Hayashi", Japanese American National Museum Member Magazine, Los Angeles, California, Spring 2003
2003, "The Big Picture, Masumi Hayashi's Wide, Wide Gaze", Dan Tranberg Angle Magazine, Cleveland, Ohio, Issue 05
2001, "Genius, Imagine What Could Happen", Dialogue Magazine, Robert Stearns, Jan-Feb 2001, Columbus, Ohio.
1999, "The Permanent Collection and Re-Visioning Manzanar", Japanese American National Museum Quarterly, Karin Higa, Issue No. 1, November, 1999, Los Angeles, California. (pp. 21-22)
1997, "Democracy", The Public Art Review, ed: Debra Karasov, Minneapolis, Mn., (issue no. 17: Democracy). (Cover)
1997, "Single Frame: Photographer Masumi Hayashi", DoubleTake Magazine, Robert Odum, Fall 1997, Center for Documentary Studies at Duke University, Durham, N.C.
1995, "American Concentration Camps", See: A Journal of Visual Culture, ed: David Reed, Dereck Johnson, San Francisco, California, (Winter 1995), pp. 33-35, 64.
1995, "Landscape for a New Millennium.", Photography Quarterly, The Gift of Choice, Woodstock, New York, (Spring 1995), p. 19.
1993, Solnit, Rebecca, "The West Revisited", Creative Camera Magazine, London, England, December/January 1993, No. CC319.
1992, "Ohio EPA Superfund Sites: Panoramic Photo Collages by Masumi Hayashi", Artful Dodge, 22/23, Worcester, Ohio (pp. 115-133)
1992, "The East Comes West", A.D. Coleman, Camera and Darkroom, June issue, Los Angeles, California,
1991, "A Terrible Beauty", Vicki Goldberg, ARTnews, Summer 1991, New York City, New York
1991, "The End of Wilderness", Peter de Lory, Aperture, New York City, New York
1990, "Of Houses and Highways", J.B. Jackson, Aperture: Beyond Wilderness, New York City, New York, #120, p.67
1989, "Of a Different Order", Jamie Brunson, Artweek Magazine, San Francisco, CaliforniaVolume 20, Number 39, November 23, 1989
1989, "The May Show", Rikki Santer, Dialogue Magazine, Columbus, Ohio, September/October 1989
1988, "Post-Industrial Panoramic Landscapes: A Portrait of Cleveland", Bruce Checefsky, Dialogue Magazine, Columbus, Ohio, November 1988

Popular Magazine and Newspapers Reviews

2012, "Get Inspired By... Masumi Hayashi", Discovery Girls: Created By Girls, For Girls..., June/July, 2012, Los Altos, CA, Tween Magazine dedicated to girls age 8 and up.
2004, "The Price of Liberty", Marina Takahashi, Cleveland Magazine, photography by Masumi Hayashi, December 2004
2003, "Sights Unseen: The Photographic Constructions of Masumi Hayashi", Dwell Magazine, Los Angeles, California, September 2003 (p.32)
2003, ArtScene, Los Angeles, California, September
2003, "Temple of My Familiar, Masumi Hayashi's India Photographs Create A Rich and Complex New Reality,", Anastasia Pantsios, Cleveland Free Times, August 13-19, 2003, p. 59, Cleveland, Ohio
2003, "A Fractured State of Photography", Holly Myers, Los Angeles Times Calendar, Los Angeles, California, June 30, 2003
2003, "Functional dysfunction, the disquieting themes of decay and abandonment are home in the photo collages of Masumi Hayashi", Scarlet Cheng, Los Angeles Times Calendar, Los Angeles, California, June 18, 2003, p.2
2003, "Postcards with an Edge", Kristin Friedrich, Downtown News Calendar, June 16, 2003, p. 13
2003, "Beauty within the Grotesque", Philip Zonkel, San Gabriel Valley Newspaper, San Gabriel, California, June 6, 2003, Art, p. 26
2003, "JA Photographer Documents American Experience in Little Tokyo Exhibit", Philip Zonkel, The Rafu Shimpo, Los Angeles, California, May 31, 2003, p. 1
2003, "Through my Kaleidoscope", Abha Eli Phoboo, The Himalayan Times, Kathmandu, Nepal, Sunday, April 27, 2003, p. 7
2002, "Ruckkehr zu den Wurzeln", Lieselotte Sauer-Kaulbach, Rhein-Zeitung Dienstag, Koblenz, Germany, June 11, 2002,
2002, "Masumi Hayashi: Cultural Identity?", Ansichts-Sache, Rhein-Zeitung Dienstag, Koblenz, Germany, June, 2002
1997, Jessie Nishimasa, "Masumi Hayashi", The Nikkei Voice, October.
1997, Stephen Litt, "Panoramic Presentation", The Plain Dealer, Cleveland, Ohio, November 23, 1997.
1996, Millie Creighton, "Profile: Masumi Hayashi - American Artist", The Bulletin: A journal of Japanese-Canadian Community, History and Culture, Vancouver, B.C., Canada, September, 1996 (pp. 18-20)
1995, Jeff Hagan, "The Artist Outside.", Cleveland Magazine, Cleveland, Ohio, July, 1995 (pp. 19-22)
1995, "BACKTALK" (letters to the editor), Mother Jones Magazine, San Francisco, California, June 1995 (p. 8)
1995, Dowie, Mark, "The Fourth Wave", Mother Jones Magazine, San Francisco, California, April, 1995 (pp. 34-35)
1995, "Kensington Gore", The New Statesman & Society, London, England, 13 January 1995
1994, Karrfalt, Wayne, "Ohio Art Show Speaks in Tongues About Nowhere in Particular", The Japan Times, Tokyo, Japan, 17 December 1994, ArtSection.
1994, Helen Cullinan, "Photocollage Artist Inserting Activist Lens Into Her Camera", The Plain Dealer, Cleveland, Ohio, 18 September 1994
1994, Helen Cullinan, "Photocollage Artist Inserting Activist Lens Into Her Camera", The Plain Dealer, Cleveland, Ohio, 18 September 1994
1994, Helen Cullinan, "Arts Prizes Named", The Plain Dealer, Cleveland, Ohio, 26 August 1994, Today Section
1994, Frank Green, "When X + Y Equals More Than Z", Cleveland Free Times, Cleveland, Ohio, 16 March 1994 (p. 19)
1994, Doug Utter, "Re., Photo Construct, Cleveland State University Art Gallery", New Art Examiner, Chicago, Illinois, September 1994
1994, Jesse Bryant Wilder, "Canons to the Left, Canons to the Right", Northern Ohio Live, Cleveland, Ohio, June 1994 (pp. 20-21)
1993, Rebecca Solnit, "The West Revisited", Creative Camera Magazine, London, England, December/January 1993, No. CC319
1993, "Nuclear Waste in Ohio", John Baskin, Managing Editor, Ohio Magazine, Columbus, Ohio, July 1993
1992, "The East Comes West", A.D. Coleman, Camera and Darkroom, Los Angeles, June, 1992
1992, "Faculty Art Exhibition at CSU Shows How It’s Done", Steve Litt, The Plain Dealer, Cleveland, Ohio, 22 January 1992
1992, "Masumi Hayashi, Exposing a Fractured Reality", Ted Kini, City Reports Newspaper, Cleveland, Ohio, 16 April 1992, Vol. 1, No. 7
1992, "Beauty and Poison", Paul S. Workman, Medina County Gazette, Medina, Ohio, 20 February 1992
1992, "A Photo Collage of Destruction Shown in EPA Superfund Sites", Dorothy Shinn, Akron Beacon Journal, Akron, Ohio, 23 February 1992
1992, "Company is Angered by Display at Museum", Bob Downing, Akron Beacon Journal, Akron, Ohio, 20 March 1992
1992, "Photographs Focus on Toxic Waste Sites", Rick Armon, Salem News, Salem, Ohio, 2 March 1992
1991, "A Terrible Beauty", Vicki Goldberg, ARTNews, New York City, New York (Summer, 1991)
1990, "Panoramas and Pointed Social Commentary by Hayashi", Suzanne Muchnic, Los Angeles Times, Los Angeles, California, 22 June 1990
1989, "Of a Different Order", Jamie Brunson, Artweek Magazine, San Francisco, California, 23 November 1989, Vol. 20, No. 39
1989, "The May Show", Rikki Santer, Dialogue Magazine, Columbus, Ohio, September/October, 1989
1988, "Post Industrial Panoramic Landscapes: A Portrait of Cleveland", Bruce Checefsky, Dialogue Magazine, Columbus, Ohio, November, 1988
1987, "Accessible Art", Benedict Tisa and Catlin Masie, Darkroom Photography, January, 1987

VI. Lectures, Panels and Workshops

2004, "Reconstruction of Identity through Photo Collage,", Visiting Artist Workshop San Diego, California, July
2003, Artist Panel/Lecture Puri, India, February
2003, "History and Memory", Artist Lecture Morgantown, West Virginia
2003, "Conversation with Masumi Hayashi and Tim B. Wride", Japanese American National Museum public program Los Angeles, California
2003, Artist Lecture, , Kathmandu, Nepal
2002, "Masumi Hayashi", Artist Lecture, , Detroit, Michigan
2002, "Heart to Heart: Women Artists Dealing with Issues of War", Panel, , Rapid City, South Dakota
1997, (Panel), "The Landscape in Question", Transforming the Mirror, Women in Photography Conference Boston, Mass. (June)
1996, "Gender, Beyond Memory", Lecture and Panel with simultaneous translation, September, ,
1996, "Building a Collective Memorary", Artist Lecture, , Cleveland, Ohio (December)
1996, "The Japanese American Experience: Concentration Camps, Photo Reconstructions", Supersession lecturer, Art Ed Scape, Ohio Art Education Association regional conference, , Cleveland, Ohio (November)
1996, "American Concentration Camps: The Archeology, The Memory", Artist Lecture, , Cleveland, Ohio. (March)
1995, "Artist Talk, Masumi Hayashi", Visiting Artist Lecture, , Rohwer Park, California. (December)
1995, "Artist Masumi Hayashi", Visiting Artist Lecture, , Cleveland, Ohio. (November)
1995, "Collective Memory: Japanese American Internees", Visiting Artist Lecture, , Columbus, Ohio. (May)
1995, "Warworks: Women, Photography, and the Art of War", Symposium Panel, , London, England. (February)
1995, "Day of Remembrance", Visiting Artist Lecture, ,
1994, "Contemporary Issues in Landscape", Symposium Panel, ,
1993, "Censorship Panel", People's Art Show Censorship Symposium, , Cleveland, Ohio. (October)
1993, Visiting Artist Lecture, , Tallahassee, Florida (September)
1993, Visiting Artist Lecture, , College Park, Pennsylvania. (May)
1993, Panel Member, "Planet at Risk", Masumi Hayashi, Shawn Goodwin, and Robert Staib (Department of Public Health) in conjunction with exhibit, , Cleveland, Ohio (April)
1993, "Can You Tell a Sansei from Her Photographs", National Conference Panel, , Seattle, Washington, national conference. (March)
1992, Visiting Artist Lecture, , Cleveland, Ohio (February)
1989, "Post Industrial Landscapes of Masumi Hayashi", Visiting Artist Lecture, , Chicago, Illinois (January)
1989, "Responses to an Industrial and Urban Landscape: Photography and Sculpture", Panel Member, , Kent, Ohio (February)

VII. Art Administration